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Showing 76 to 100 of 126 Records

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Title Artist Medium & Support Creation Date
Evening Patterns   Reynolds, Harry Reuben     1940 
United Nations   Newman, Earl   Serigraph on poster  1966 
The Scholars   Weber, Max   Oil on wood panel  1939 
The Wedding   Bowman, Dorothy   Lithograph on board  1963 
Temptation of St. Anthony   Loran, Erle   Oil on canvas  1950 
Untitled   Lafon, Dee J.   Watercolor on paper  1981 
Supremacy of Man   Spohn, Clay   Graphite on paper  1938 
Virtu   Brady, Robert   Stoneware  1987 
Betrothal   Fulop, Karoly   Wood, pigment, and ivory inlay  circa 1930 
Drawing for Big Sargent   Treiman, Joyce   Graphite on paper  1975 
A Post-Surrealist Emerges   Merrild, Knud   Watercolor and pencil on paper  1934 
Untitled   Collins, Jess   Ink on paper  circa 1961-1963 
The Course of the Empire: Sauce Boat   Lowe, Jean   Papier-mâché, enamel, and acrylic  2003 
Tango Teapot   Swanson, Richard   Earthenware  2004 
Walking in the Park, Richard Shaw at the Dilexi Gallery   Shaw, Richard   Paper and vinyl  1969 
DOLØN EMB 1 (Dolphin Embassy)   Ant Farm   Graphite and ink on mylar  1974 
Equal Under Night   Frame, John   Bronze, brass, lead, concrete, and oil  1986 
Study for "Samurai Businessman on the Way Home"   Teraoka, Masami   Watercolor on tea-stained paper  1980 
Othertime (after Bellini)   Alexander, Paul   Oil on canvas  1964 
Untitled   Cameron   Ink, watercolor, and gouache on paper  1955 
Is Freedom Academic?   Pacifica Foundation   Vinyl record and album sleeve  1964 
Cornucopia   Briggs, Alice Leora   Ink on board  2004 
The Concert   Mains, Brian   Graphite on paper  2006 
Untitled (Santa Fe Trail)   Almaraz, Carlos   Etching with waterolor  1989 
Public Eye Presents Video October   Ant Farm   Paper  Date unknown 

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This site facilitates access to the art and artifact collections by providing digitally searchable records for thousands objects. The information on these pages is not definitive or comprehensive. We are regularly adding artworks and updating research online. We welcome your comments.