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Title
|
Artist
|
Medium & Support
|
Creation Date
|
Virtu
|
Brady, Robert
|
Stoneware
|
1987
|
Betrothal
|
Fulop, Karoly
|
Wood, pigment, and ivory inlay
|
circa 1930
|
A Post-Surrealist Emerges
|
Merrild, Knud
|
Watercolor and pencil on paper
|
1934
|
Tango Teapot
|
Swanson, Richard
|
Earthenware
|
2004
|
Equal Under Night
|
Frame, John
|
Bronze, brass, lead, concrete, and oil
|
1986
|
Study for "Samurai Businessman on the Way Home"
|
Teraoka, Masami
|
Watercolor on tea-stained paper
|
1980
|
Othertime (after Bellini)
|
Alexander, Paul
|
Oil on canvas
|
1964
|
Untitled
|
Cameron
|
Ink, watercolor, and gouache on paper
|
1955
|
Is Freedom Academic?
|
Pacifica Foundation
|
Vinyl record and album sleeve
|
1964
|
Cornucopia
|
Briggs, Alice Leora
|
Ink on board
|
2004
|
The Concert
|
Mains, Brian
|
Graphite on paper
|
2006
|
Untitled (Santa Fe Trail)
|
Almaraz, Carlos
|
Etching with waterolor
|
1989
|
Public Eye Presents Video October
|
Ant Farm
|
Paper
|
Date unknown
|
Love It
|
Nechvatal, Joseph
|
Graphite on paper
|
1982
|
Deerslayer #2
|
Morse, Aaron
|
Acrylic and oil on canvas
|
2006
|
The Gold Rush (study): Studies for Miners and Riders
|
Brigante, Nicholas
|
Graphite on tracing paper
|
circa 1938
|
The Gold Rush (study): Action & Animation
|
Brigante, Nicholas
|
Graphite on paper
|
circa 1938
|
The Gold Rush (study): Pony Express Rider
|
Brigante, Nicholas
|
Graphite on paper
|
circa 1938
|
The Gold Rush (study): Pony Express Rider Delivering Mail
|
Brigante, Nicholas
|
Graphite on tracing paper
|
circa 1938
|
Crocodile Tears II: Rudi Wexler
|
Huebler, Douglas
|
Oil stick, chromogenic print, and printed text on paper
|
1982-1983
|
A Team of Horses I Couldn't Control
|
Morris, Frankie
|
Ink on paper
|
1972
|
Cracks in the Sidewalk
|
Pettibon, Raymond
|
Vinyl record with paper sleeve
|
1980
|
Untitled
|
Sakoguchi, Ben
|
Acrylic on canvas
|
circa 1968
|
Pobrecito
|
Valadez, John
|
Screenprint
|
1985
|
El Príncipe que Nunca Llego
|
Gonzalez, Yolanda
|
Oil on canvas with puncture, stabbed by the artist
|
1995
|
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