{ "objects" : [ { "embark_ID" : 11, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/11", "Disp_Access_No" : "1996.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1960", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1960", "Disp_Title" : "Big Cottonwood Canyon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Florence E. Ware", "Sort_Artist" : "Ware, Florence E.", "Disp_Dimen" : "14.75 x 11.5 x 1 in.", "Disp_Height" : "14.75 in.", "Disp_Width" : "11.5 in.", "Dimen_Extent" : "Frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Impressionism ainting of a building with Big Cottonwood Canyon in the background.", "Dedication" : "Gift of Theodore M. Wassmer", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 75, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/75", "Disp_Access_No" : "1996.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1920", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1920", "Disp_Title" : "3 Figures: Kinetic Organization", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lorser Feitelson", "Sort_Artist" : "Feitelson, Lorser", "Disp_Dimen" : "15.25 x 14.75 x 1.5 in.", "Disp_Height" : "15.25 in.", "Disp_Width" : "14.75 in.", "Dimen_Extent" : "Frame", "Medium" : "Graphite and colored pencil", "Support" : "paper", "Disp_Medium" : "Graphite and colored pencil on paper", "Info_Page_Comm" : "Drawing of 3, human figures through the minumal use of lines and colors. The figures are standing, nude females with some frozen in movement. Most of the lines are drawn in solid black, but some lines are highlighted in yellow colored pencil. The original signature of license for reproduction is located in the physical object file for this drawing.", "Dedication" : "Gift of the Marie Eccles Caine Foundation", "Copyright_Type" : "", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Pencil", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://artmuseum-collection.usu.edu/Media/images/1996.37_1K.jpg", "ThumbnailPath" : "https://artmuseum-collection.usu.edu/Media/Thumbnails/1996.37_1K.jpg", "PreviewPath" : "https://artmuseum-collection.usu.edu/Media/Previews/1996.37_1K.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1996.37_1K.jpg", "IsPrimary" : "1", "_SurrogateID" : "4191", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 188, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/188", "Disp_Access_No" : "1994.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : "Three Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kenneth Callahan", "Sort_Artist" : "Callahan, Kenneth", "Disp_Dimen" : "50.625 x 25.125 x 0.5 in.", "Disp_Height" : "50.625 in.", "Disp_Width" : "25.125 in.", "Dimen_Extent" : "Image: 38 x 25.125 in. ", "Medium" : "Acrylic", "Support" : "Paper", "Disp_Medium" : "Acrylic on Paper", "Info_Page_Comm" : "Three abstract nude female figures standing together. The figures on the sides are both front facing and the figure in the center has its back towards the viewer and slightly turned towards the figure on the left. The figures are roughly outlined in black. Circular strokes of blue and orange hightlght the women's wombs. The heads are blue and small. Gestural strokes of blue, orange, yellow, and brown throughout though the paper is exposed in many areas.", "Dedication" : "Gift of the Marie Eccles Caine Foundation", "Copyright_Type" : "", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 355, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/355", "Disp_Access_No" : "1992.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Bear River Range Series", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Christopher Terry", "Sort_Artist" : "Terry, Christopher", "Disp_Dimen" : "14 x 14 x 0.75 in.", "Disp_Height" : "14 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "Image", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painting of a mountain with gestural trees scattered along the hill.", "Dedication" : "Gift of the artist", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1079, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/1079", "Disp_Access_No" : "1987.296", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claire Falkenstein", "Sort_Artist" : "Falkenstein, Claire", "Disp_Dimen" : "10.75 x 14.875 in. (27.305 x 37.783 cm)", "Disp_Height" : "10.75 in.", "Disp_Width" : "14.875 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Abstract, colorful composition of a running bird painted in blues and greens. Behind the running bird are gestural strokes of greens, blues, and yellows in vertical and diagonal patterns.", "Dedication" : "Gift of Rachael Dunaven Yocom", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1812, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/1812", "Disp_Access_No" : "1998.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1997", "_Disp_Start_Dat" : "1997", "_Disp_End_Date" : "1997", "Disp_Title" : "'Paradise' First Study for Rough Map", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "F. Anthony Smith", "Sort_Artist" : "Smith, F. Anthony", "Disp_Dimen" : "21 x 24.5 x 1.25 in.", "Disp_Height" : "21 in.", "Disp_Width" : "24.5 in.", "Dimen_Extent" : "Frame", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "Watercolor, multicolored abstraction of organic gestural brushstrokes resembling foliage", "Dedication" : "Museum Purchase with the Charter Member Endowment Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2123, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/2123", "Disp_Access_No" : "1984.453", "_AccNumSort1" : "", "Disp_Create_DT" : "Date unknown", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Seagulls", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Viola Frey", "Sort_Artist" : "Frey, Viola", "Disp_Dimen" : "42.625 x 20.5 x 1.5 in.", "Disp_Height" : "42.625 in.", "Disp_Width" : "20.5 in.", "Dimen_Extent" : "Frame", "Medium" : "Graphite, colored pencil, and oil", "Support" : "canvas", "Disp_Medium" : "Graphite, colored pencil, and oil on canvas", "Info_Page_Comm" : "Oil, graphite, and colored pencil on canvas featuring a gestural composition of segulls against a solid, light brown background.", "Dedication" : "Museum Permanent Collection", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3268, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/3268", "Disp_Access_No" : "1999.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1985", "_Disp_Start_Dat" : "1985", "_Disp_End_Date" : "1985", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Dornan", "Sort_Artist" : "Dornan, David", "Disp_Dimen" : "52.375 x 37.25 x 1 in.", "Disp_Height" : "52.375 in.", "Disp_Width" : "37.25 in.", "Dimen_Extent" : "Image: 45 x 30 in.", "Medium" : "Acrylic", "Support" : "paper", "Disp_Medium" : "Acrylic on paper", "Info_Page_Comm" : "Acrylic painting of abstract, geometric forms in blue, red, purple, brown, white, and black colors on two pieces of paper overlapping one another. Most of these geometric forms are shaped like rectangles and parrallelograms, and all these shapes rest against a light green, textural background. The style of this painting is gestural, making a lot of brushstrokes less controlled and more messy.", "Dedication" : "Gift of The Phillips Collection", "Copyright_Type" : "", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4215, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/4215", "Disp_Access_No" : "2003.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harry Nadler", "Sort_Artist" : "Nadler, Harry", "Disp_Dimen" : "8.75 x 7.75 x 0.75 in.", "Disp_Height" : "8.75 in.", "Disp_Width" : "7.75 in.", "Dimen_Extent" : "Frame", "Medium" : "Acrylic", "Support" : "board", "Disp_Medium" : "Acrylic on board", "Info_Page_Comm" : "Abstract expressionist painting using black, white, and grey colors. The painting's composition is comprised of these colors in geometric fields applied in thick, gestural brushstrokes giving the painting a messy or disorganized quality. Over half the painting is covered in solid black, and black dominates the top half of the board. The lower half of the board is mostly white textured or mixed with shades of black and gray.", "Dedication" : "Gift of Amy Howe from the estate of Meryl Schipper", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Acrylic", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4431, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/4431", "Disp_Access_No" : "2005.73", "_AccNumSort1" : "", "Disp_Create_DT" : "2005", "_Disp_Start_Dat" : "2005", "_Disp_End_Date" : "2005", "Disp_Title" : "90 Days of Improvisation, The Creation Series #22", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hyunmee Lee", "Sort_Artist" : "Lee, Hyunmee", "Disp_Dimen" : "12 x 12 x 1.5 in.", "Disp_Height" : "12 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "Image", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "Acrylic painting on canvas. The painting is in the abstract expressionist style with gray, white, and black colors. A dominating form in the painting is a thin, jagged, gestural, black line in the center and lower-left areas of the canvas against a textured background of white and gray colors. The fields of gray are in the top-right and lower-right areas of the canvas as well as along the entire left edge. The blended colors of light gray, white, off-white, and cream are throughout the rest of the painting's background.", "Dedication" : "Gift of Victoria Rowe", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Acrylic", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4434, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/4434", "Disp_Access_No" : "2005.80", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Nelson Copley", "Sort_Artist" : "Copley, William Nelson", "Disp_Dimen" : "19.5 x 17.75 x 1 in.", "Disp_Height" : "19.5 in.", "Disp_Width" : "17.75 in.", "Dimen_Extent" : "", "Medium" : "Mixed media", "Support" : "paper", "Disp_Medium" : "Mixed media on paper", "Info_Page_Comm" : "Mixed media drawing of various, black and white lines in thick, gestural brushstrokes. The lines are curvy or straight, and the composition of lines shows an abstracted figure of a female torso from the reverse side with voluminous hair comprised of white brushstrokes and outlined in black brushstrokes and curvy arms and buttocks. This female figure is standing in front of a grid-like wall of even squares each outlined in black. Inside each square is a small dot or brushstroke of white.", "Dedication" : "Gift of the Marie Eccles Caine Foundation", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Mixed media", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4902, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/4902", "Disp_Access_No" : "2009.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "Love It", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Nechvatal", "Sort_Artist" : "Nechvatal, Joseph", "Disp_Dimen" : "16.625 x 19.75 x 1 in.", "Disp_Height" : "16.625 in.", "Disp_Width" : "19.75 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "Horizontally-oriented, rectangular sheet of white paper covered in grey, thick layers of pencil. The heavy applications of gray create a richly layered web of abstract gray forms throughout the paper along with varying shades or thicknesses of the color. The various layers of graphite show various lines of every angle, direction, and curvature throughout. Five, abstract human figures are drawn and blended in with the web of gray and the busy lines.", "Dedication" : "The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the National Gallery of Art, with generous support of the National Endowments for the Arts and the Institute of Museum and Library Services", "Copyright_Type" : "", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Graphite", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://artmuseum-collection.usu.edu/Media/images/2009.55_1k.jpg", "ThumbnailPath" : "https://artmuseum-collection.usu.edu/Media/Thumbnails/2009.55_1k.jpg", "PreviewPath" : "https://artmuseum-collection.usu.edu/Media/Previews/2009.55_1k.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.55_1k.jpg", "IsPrimary" : "1", "_SurrogateID" : "3174", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4998, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/4998", "Disp_Access_No" : "2010.25", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1995", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "2000", "Disp_Title" : "Akasa Series #4", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lisa Bradley", "Sort_Artist" : "Bradley, Lisa", "Disp_Dimen" : "40 x 30 x 1.375 in.", "Disp_Height" : "40 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "Image", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Abstract expressionist-inspired painting of curved, smeared, gestural brushstrokes in black and white going in all directions. These messy brushstrokes are against a background of a grayish blue color. The background of graish-blue has subtle differences in lightness and brushstroke application, making it look like a texture or depth-of-field is visible or hinted at in the background adding to the mysterious quality of the painting.", "Dedication" : "Gift of an anonymous donor", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Oil on canvas", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 5161, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/5161", "Disp_Access_No" : "2001.86", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Untitled (Car Crash)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carlos Almaraz", "Sort_Artist" : "Almaraz, Carlos", "Disp_Dimen" : "33.5 x 48.25 x 1.5 in. (85.09 x 122.555 x 3.81 cm)", "Disp_Height" : "33.5 in.", "Disp_Width" : "48.25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "Gestural painting of oil on paperboard. The painting shows an explosive car crash of 2 cars in a flat, expansive, empty landscape comprised of patches in green, brown, and gray colors. The crash is on the left side of the painting and includes a vertical red car and a horizontal green car smashed together dramatically. Flames in orange and yellow streaks are shooting out of both cars. The gestural quality of the painting gives the scene an abstract appearance.", "Dedication" : "Museum Purchase with Charter Member Endowment Fund", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Oil on paperboard", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://artmuseum-collection.usu.edu/Media/images/2011.86.jpg", "ThumbnailPath" : "https://artmuseum-collection.usu.edu/Media/Thumbnails/2011.86.jpg", "PreviewPath" : "https://artmuseum-collection.usu.edu/Media/Previews/2011.86.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2011.86.jpg", "IsPrimary" : "1", "_SurrogateID" : "5522", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5350, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/5350", "Disp_Access_No" : "STUDY.2016.1", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1950", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1955", "Disp_Title" : "Camellia", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kaoru Kawano", "Sort_Artist" : "Kawano, Kaoru", "Disp_Dimen" : "22.75 x 16.625 in. (57.785 x 42.228 cm)", "Disp_Height" : "22.75 in.", "Disp_Width" : "16.625 in.", "Dimen_Extent" : "", "Medium" : "Woodblock print", "Support" : "", "Disp_Medium" : "Woodblock print", "Info_Page_Comm" : "Woodblock of a small Japanese girl wearing a solid black kimono in an almost rectangular, abstracted shape. The kimono has 4 red circles, and light brown circles inside the red circles, evoking an abstract pattern of flower blossoms. A round human face is on top of the kimono in a light brown/gray color and comprised of black, gestural, diagonal lines for the face's eyes, nose, mouth, and hair. The girl's face is looking reverently downward, and no arms or hands are shown. The background is a solid woodgrain pattern in varying shades of light brown.", "Dedication" : "Museum Permanent Collection", "Copyright_Type" : "", "Disp_Obj_Type" : "Relief", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Woodblock", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] }, ] }