{ "objects" : [ { "embark_ID" : 1116, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/1116", "Disp_Access_No" : "1986.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Birds, Sky, Water and Grass", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ben Berlin", "Sort_Artist" : "Berlin, Ben", "Disp_Dimen" : "36 x 29.875 in. (91.44 x 75.883 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "29.875 in.", "Dimen_Extent" : "", "Medium" : "Casein", "Support" : "Fir-Tex board", "Disp_Medium" : "Casein on Fir-Tex board", "Info_Page_Comm" : "Post-surrealist painting of casein on Firtex board featuring a mixture of water, clouds, grass, and a white bird. Other, abstracted, organic forms are included in this mixture. And the differing colors and textures appear to be part of a 3-dimensional patchwork of square and rectangle shapes layered on top of each other.", "Dedication" : "Gift of Kathryn C. Wanlass in memory of Ralph Page Wanlass", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Casein", "Period" : "", "Style" : "Post-surrealist", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://artmuseum-collection.usu.edu/Media/images/1986.27_1k.jpg", "ThumbnailPath" : "https://artmuseum-collection.usu.edu/Media/Thumbnails/1986.27_1k.jpg", "PreviewPath" : "https://artmuseum-collection.usu.edu/Media/Previews/1986.27_1k.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1986.27_1k.jpg", "IsPrimary" : "1", "_SurrogateID" : "5791", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1368, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/1368", "Disp_Access_No" : "1985.113", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Still Life in Interior", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Grace Rivet Clements", "Sort_Artist" : "Clements, Grace Rivet", "Disp_Dimen" : "17.75 x 26 in. (45.085 x 66.04 cm)", "Disp_Height" : "17.75 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "oil", "Dedication" : "Gift of the Marie Eccles Caine Foundation", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4489, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/4489", "Disp_Access_No" : "2006.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Flying Spirit South - Fire on the Mountain", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Don Martin", "Sort_Artist" : "Martin, Don", "Disp_Dimen" : "49.25 x 49.25 in. (125.095 x 125.095 cm)", "Disp_Height" : "49.25 in.", "Disp_Width" : "49.25 in.", "Dimen_Extent" : "", "Medium" : "Lacquer", "Support" : "masonite", "Disp_Medium" : "Lacquer on masonite", "Info_Page_Comm" : "Organic, abstract painting of lacquer on masonite. The painting is a symmetrically square field of abstracted flames in red, yellow, and black colors. All the colors are delicately layered on top of each other in thin, organic, squiggly lines and shapes, creating a mostly-symmetrical layout. All the colors are layered together and placed together very tightly and closely creating a sense of the colors blending subtly.", "Dedication" : "Gift of the Marie Eccles Caine Foundation", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Lacquer", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://artmuseum-collection.usu.edu/Media/images/2006.21.jpg", "ThumbnailPath" : "https://artmuseum-collection.usu.edu/Media/Thumbnails/2006.21.jpg", "PreviewPath" : "https://artmuseum-collection.usu.edu/Media/Previews/2006.21.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2006.21.jpg", "IsPrimary" : "1", "_SurrogateID" : "5484", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5197, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/5197", "Disp_Access_No" : "2012.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "Snow Blind", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Walker", "Sort_Artist" : "Walker, Robert", "Disp_Dimen" : "62 x 63 x 5 in. (157.48 x 160.02 x 12.7 cm)", "Disp_Height" : "62 in.", "Disp_Width" : "63 in.", "Dimen_Extent" : "", "Medium" : "Nylon netting, plastic, and enamel", "Support" : "", "Disp_Medium" : "Nylon netting, plastic, and enamel", "Info_Page_Comm" : "Symmetrically square wall sculpture of nylon netting in four layers, coated in white enamel. Each layer of netting has space between it, which gives the sculpture more volume and depth. The layers of the net are sculpted to create a wrinkled, crumpled texture which casts various shadows across the wall.", "Dedication" : "Gift of the Kathryn C. Wanlass Foundation", "Copyright_Type" : "", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Mixed media", "Period" : "", "Style" : "Perceptual Art, Light and Space", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://artmuseum-collection.usu.edu/Media/images/20122-2.jpg", "ThumbnailPath" : "https://artmuseum-collection.usu.edu/Media/Thumbnails/20122-2.jpg", "PreviewPath" : "https://artmuseum-collection.usu.edu/Media/Previews/20122-2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/20122-2.jpg", "IsPrimary" : "1", "_SurrogateID" : "4647", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5202, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/5202", "Disp_Access_No" : "2012.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1996-1997", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1997", "Disp_Title" : "Light Girl (Beuys' Ghost)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Don Suggs", "Sort_Artist" : "Suggs, Don", "Disp_Dimen" : "42.25 x 138.312 in. (107.315 x 351.312 cm)", "Disp_Height" : "42.25 in.", "Disp_Width" : "138.312 in.", "Dimen_Extent" : "", "Medium" : "Gelatin silver prints", "Support" : "wood panel", "Disp_Medium" : "Gelatin silver prints on wood panel", "Info_Page_Comm" : "Large, black and white, panoramic photograph showing a group of people facing away from the viewer to watch a waterfall at Yellowstone National Park. One young girl is standing alone in the center foreground away from the crowd and looking to her right. This panoramic photograph is actually a compund photograph comprised of numerous, smaller, rectangular-shaped photos that have been piled on top of each other and layered to create the full image.", "Dedication" : "Gift of the Kathryn C. Wanlass Foundation", "Copyright_Type" : "", "Disp_Obj_Type" : "Film", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Collage", "Period" : "", "Style" : "Conceptual Art. Photography", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://artmuseum-collection.usu.edu/Media/images/2012.7.jpg", "ThumbnailPath" : "https://artmuseum-collection.usu.edu/Media/Thumbnails/2012.7.jpg", "PreviewPath" : "https://artmuseum-collection.usu.edu/Media/Previews/2012.7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2012.7.jpg", "IsPrimary" : "1", "_SurrogateID" : "4314", "Image_Type" : "Primary", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5203, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/5203", "Disp_Access_No" : "2012.8", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1971", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1976", "Disp_Title" : "Before Utah", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harold Cohen", "Sort_Artist" : "Cohen, Harold", "Disp_Dimen" : "in. (cm)", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Aaron computer software program", "Support" : "", "Disp_Medium" : "Aaron computer software program", "Info_Page_Comm" : "An artificially intelligent program named AARON that creates its own paintings. A software-based simulation of the cognitive processes underlying the human act of painting. These computer generated paintings are projected onto a wall or window to display each painting as it's composed from beginning to end. This particular installation is shown on a flat-screen TV monitor mounted to the gallery wall.", "Dedication" : "Gift of David and Terry Peak", "Copyright_Type" : "", "Disp_Obj_Type" : "Digital art", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Computer software", "Period" : "", "Style" : "Electronic Art, Artificial Intelligence, Computer Art", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://artmuseum-collection.usu.edu/Media/images/2012.8.jpg", "ThumbnailPath" : "https://artmuseum-collection.usu.edu/Media/Thumbnails/2012.8.jpg", "PreviewPath" : "https://artmuseum-collection.usu.edu/Media/Previews/2012.8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2012.8.jpg", "IsPrimary" : "1", "_SurrogateID" : "4315", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5343, "URL" : "https://artmuseum-collection.usu.edu/Objects-1/info/5343", "Disp_Access_No" : "2016.4", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1970", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1975", "Disp_Title" : "Two Faces", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Outterbridge", "Sort_Artist" : "Outterbridge, John", "Disp_Dimen" : "11.5 x 18.125 x 4.5 in. (29.21 x 46.038 x 11.43 cm)", "Disp_Height" : "11.5 in.", "Disp_Width" : "18.125 in.", "Dimen_Extent" : "", "Medium" : "Wood, metal, plastic, and paint", "Support" : "", "Disp_Medium" : "Wood, metal, plastic, and paint", "Info_Page_Comm" : "Small pieces of black & brown-colored wood carved and layered on top of each other including random rectangular strips and the curved molding of an old chair. All the worn wooden pieces have clean edges, and the wood pieces are attached to a rectangular wooden panel. Two protruding pieces of wood are carved into elongated circular shapes of human faces. Found pieces of metal and plastic are placed on the 2 faces creating eyes, noses, and mouths. Some pieces/layers of the wood have thin, gestural layers of gray, off-white, or yellow paint.", "Dedication" : "Gift of the Kathryn C. Wanlass Foundation", "Copyright_Type" : "", "Disp_Obj_Type" : "Relief", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "Assemblage", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://artmuseum-collection.usu.edu/Media/images/2016.4_1k.jpg", "ThumbnailPath" : "https://artmuseum-collection.usu.edu/Media/Thumbnails/2016.4_1k.jpg", "PreviewPath" : "https://artmuseum-collection.usu.edu/Media/Previews/2016.4_1k.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2016.4_1k.jpg", "IsPrimary" : "1", "_SurrogateID" : "5650", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }