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Collecting on the Edge Part II


Modern and contemporary art created in the American West, manifesting an independent spirit and embodying unique ideas, has been largely written out of the mainstream narrative of art history or placed in unhelpful contexts. "Collecting on the Edge," featuring work by 172 artists from the collection of the Nora Eccles Harrison Museum of Art at Utah State University in Logan Utah, aims to correct that situation.

Showing 1 to 26 of 26 Records


Gambler

Adaline Kent Scupltor

Magnesite (oxychloride cement)

Night Watch

Robert Boardman Howard Scupltor

Wood, metal, gypsum, fiberglass, resin, and polychrome

Concord #10

Ron Miyashiro Artist

Wood, found objects, and pogment

Untitled

Peter Krasnow Artist

American black walnut wood

Pure XX

George Herms Artist

Assemblage of found objects

The Claw

Seymour Locks Scupltor

Nails, costume jewelry, and redwood root

Untitled (S.304)

Ruth Asawa Scupltor

Naturally oxidized copper and brass wire

Leather Wrapped Head

Mel Henderson Scupltor

Leather, wood, and nails

Zonk 1984

Fletcher Benton Scupltor

Plexiglass, steel, lights, and mechanical fittings

Green China Wall

Charles Garabedian Artist

Wood, acrylic, and resin

Ego

David Ireland Artist

Painted wood and glass

Untitled

Jim Isermann Artist

Fabric on wood

Untitled

John Mason Artist

Stoneware with grog and quartz

Washer/Dryer #2

Kaz Oshiro Artist

Acrylic and bondo on stretched canvas

Expulsion

Ann Preston Scupltor

Cast zinc and wood

3807-10

Norman Zammitt Scupltor

Plexiglass and enamel

Mary A

Mitchell Syrop Scupltor

Photocopies, aluminum, monofilament, and Foamcor

Art/Life

Robert Cumming Scupltor

Wood, paper, wire, and pigment


Your current search criteria is: Portfolio is "Collecting on the Edge Part II" and [Objects]Country is " and [Objects]Object Name is "Sculpture".

Showing 1 to 26 of 26 Records





This site facilitates access to the art and artifact collections by providing digitally searchable records for thousands objects. The information on these pages is not definitive or comprehensive. We are regularly adding artworks and updating research online. We welcome your comments.