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Showing 26 to 49 of 49 Records

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Title Artist Medium & Support Creation Date
Untitled (White Headress on Right)   Treiman, Joyce   Pastel on paper  1980 
Connie Chung #3   Vallance, Jeffrey   Enamel on board  1981 
Geisha Girls #5   Ting, Walesse   Lithograph  1982 
Ivar Theater, Hollywood   Dane, Bill   Gelatin silver print  1982 
Love Fear   Williams, Franklin   Acrylic on canvas  1983 
Hyde Park II   James, Davis   Etching and chine collé  1985 
Female Fragments   Segalove, Ilene   Gelatin silver print  1987 
Female Fragments   Segalove, Ilene   Gelatin silver print  1987 
Seduction   Hershman, Lynn   Gelatin silver print  1988 
Misology/Mis Illuminate   Walker, Melanie   Pigment print  1990 (printed 2016) 
Tuscan Love, "For Elizabeth Barrett Browning"   Forsberg, Patricia   Gouache on paper  1991 
Open My Heart   Forsberg, Patricia   Gouache on paper  1991 
Mis Tree/Mystery   Walker, Melanie   Print of a gelatin silver print from a distressed negative  1991 (printed 2016) 
Mary A   Syrop, Mitchell   Photocopies, aluminum, monofilament, and Foamcor  1992 
Inherent Efficacy   Seesurat, Thumrongluck "Taro"   Steel  1993 
The Models   Wassmer, Theodore M.   Watercolor on paper  1995 
Untitled   Santos, F.   Ink on cotton  1997 
Centaurette 2   Schulnik, Allison   Cast bronze on unique stone base  2017 
Things Out West   Villa, Hernando Gonzallo   Watercolor and gouache on paper  circa 1912 
Johan the Mad   Mortensen, William   Gelatin silver print  circa 1930 
Untitled, Abstract Figure   Peterson, Margaret   Tempera on panel  circa 1945 
Goddess Figure   McChesney, Mary Fuller   Concrete and vermiculite  circa 1960 
The Blue Eye   Fletcher, Dale   Oil on board  Date unknown 
Mermaid Jewelery Pin   Baker, Susan   Papier-mâché, sequins, pipe-cleaner  Date unknown 

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This site facilitates access to the art and artifact collections by providing digitally searchable records for thousands objects. The information on these pages is not definitive or comprehensive. We are regularly adding artworks and updating research online. We welcome your comments.