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Showing 4701 to 4725 of 5813 Records

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Title Artist Medium & Support Creation Date
Robert Smithson   Dwan Gallery   Offset lithograph  1966 
Hairy Who   San Francisco Art Institute   Offset lithograph  1968 
Sidney Gordin Reliefs & Paintings   Dilexi Gallery   Embossed paper  circa 1960 
Leslie Kerr   Dilexi Gallery   Offset lithograph  circa 1960 
Synchronetics: Fletcher Benton   San Francisco Art Institute   Offset lithograph  1967 
Harold Paris Mills College & The Hansen Galleries   Mills College Art Gallery   Offset lithograph  1967 
FKUPURDUE   Reese Palley Gallery   Offset lithograph  1972 
a Show Jim Melchert   San Francisco Art Institute   Offset lithograph  1970 
Max Cole May 16 - June 4, 1966   Comara Gallery   Offset lithograph  1966 
Max Cole January 8-27, 1968   Comara Gallery   Offset lithograph  1968 
William Wiley March 30 - April 24, 1965   Lanyon Gallery   Offset lithograph  1965 
Arlo Acton May 25 - June 19, 1965   Lanyon Gallery   Offset lithograph  1965 
Paul Harris April 27 - May 22, 1965   Lanyon Gallery   Offset lithograph  1965 
Alvin Light Recent Sculpture   Quay Gallery   Offset lithograph  1974 
Rico Lebrun   University of California, Berkeley   Offset lithograph  1968 
Deborah Remington September 25 - October 23   Dilexi Gallery   Offset lithograph  circa 1965 
Moses Mogul Receives the Eleventh Commandment   Mogul, Susan   Gelatin silver print  1978 
Wasatch   Hyde, Marion   Woodcut  Date unknown 
Night Music   Hyde, Marion   Woodcut  1988 
Seated at the Right Hand   Starrett, Jim     2012 
Untitled, Sitteth at the Right Hand   Starrett, Jim   Digital print on archival paper  2012 
Untitled   Starrett, Jim     2012 
Fragments of Terror   Starrett, Jim     2012 
Untitled   Starrett, Jim     2012 
Kristallnacht   Starrett, Jim     2012 

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This site facilitates access to the art and artifact collections by providing digitally searchable records for thousands objects. The information on these pages is not definitive or comprehensive. We are regularly adding artworks and updating research online. We welcome your comments.