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American,
b. 1953
Mary A
1992
Photocopies, aluminum, monofilament, and Foamcor
11 x 7.875 x 0.25 in.
Gift of the Marie Eccles Caine Foundation
1996.41
In Mary A thirty-nine different faces smile at us from enlarged copies of their yearbook portraits, which hang in broken rows. All of the women are Caucasian, and most have straight, dark hair. An older woman appears at the top of the pyramidal grouping, and another along the right edge, as if they are chaperones guarding the order of this assembly. Is “Mary A” the name of the first subject in the sequence, or the artist’s designation of generic, everywoman status to each member of this collection of souls?
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