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American,
b. 1931
Zonk 1984
1967
Plexiglass, steel, lights, and mechanical fittings
24.5 x 22.125 x 7.438 in. (62.23 x 56.198 x 18.891 cm)
Gift of the Marie Eccles Caine Foundation
2002.10
A small and relatively late but potent example of Fletcher Benton’s Check & Light series, 1984 and Zonk, fabricated in his Bluxome Street studio south of downtown San Francisco, dates from the artist’s breakthrough period, when he achieved international recognition for his motor-driven sculptures. Works in the Check & Light series in fact combine aspects of two related movements in the abstract work of the early and mid- 1960s: kinetic art—of which Benton quickly became recognized as a leading proponent—and op art, represented by the Check & Light sculptures’ moiré effects, formed by the shifting overlay of two identical transparent grids.
Your current search criteria is: Portfolio is "Collecting on the Edge Part II" and [Objects]Artist is "Fletcher Benton".