NEHMA | Collection - Untitled Landscape (Great Plate)

Image of Untitled Landscape (Great Plate)

Peter Voulkos

American
(1924–2002)

Untitled Landscape (Great Plate)
1978

Stoneware and porcelain
7 x 22.5 x 23 in.
Gift of the Nora Eccles Treadwell Foundation
1993.43

Untitled Landscape (Great Plate) reflects the deconstruction of the vessel tradition that Voulkos began to seriously pursue in the mid-1950s upon returning to California, where he began pushing the medium’s boundaries toward sculpture. Here the stoneware platter is split, the rim of the plate intentionally broken, and porcelain nubs protrude from the surface.

Born to Greek immigrant parents in Bozeman, Montana, Voulkos was a key figure in the move toward formal abstraction in American ceramics, and his career redefined the boundaries of the medium of clay. Introduced to ceramics by Frances Senska at Montana State University, he completed his BS degree in 1951. Voulkos and fellow student Rudy Autio were deeply influenced by Senska’s commitment to personal expression. Voulkos received an MFA from the California College of Arts and Crafts in Oakland, California, in 1952. He then became the first resident director of the Archie Bray Foundation for the Ceramic Arts in Helena, Montana. Voulkos returned to California in 1954, where he founded two influential university ceramics departments: in 1954, at the Otis College of Art and Design in Los Angeles (which became a hub for the Los Angeles ceramic avant-garde), and at the University of California, Berkeley, in 1959. Through these institutions, he became a seminal figure in the clay communities of California and was instrumental in training a generation of abstract
expressionist ceramic sculptors.

Matthew Limb

Keywords
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This object has the following keywords:

asymmetrical, circles, diagonal*, plate