FILTER RESULTS × Close
by Artist (110)
by Century (4)
by Country (2)
by Object Type (3)
by Period (2)
Skip to Content
NEHMA logo
Showing 53 of 130

Print this page
Image of Untitled

Charles Gaines

American, b. 1944

Untitled
1986

Oil on canvas
36 x 95 x 1.5 in.
Gift of Joe Austin and the Kathryn C. Wanlass Foundation
2013.4

In a career spanning more than four decades, Charles Gaines has become known for conceptually rigorous and formally compelling works exploring aesthetics, language, politics, and systems. He has played a key role in the advancement of conceptual art, and much of his work involves precise, self-assigned instructions as well as series comprising interrelated works. Each work in a series is dependent on the one immediately prior, establishing a sequential lineage. Gaines shared conceptual art’s skepticism toward the privileging of creative genius, as he became fascinated by the possibilities that could be explored within the limits of systems. Influenced by the chance procedures of John Cage as well as by Tantric Buddhist drawings generated through specific yogic visions, Gaines came to disavow Western notions of the role of imagination in art.

Untitled (1986) represents the artist’s early interest in serialized projects. Each of the work’s four sections represents a tree’s gradual process of change. Gaines often began these works with an arbitrarily selected arithmetic formula, which generated shapes that he plotted onto a grid. He employs color as a formal system to indicate different types of data, rather than for expressive purposes. Filling cells with vibrant paint, Gaines plots numbers to index the leaves and branches of each tree. He begins at the center of the trunk, counting outward in both directions to create a pixilated image guided by the numerical system. As the series progresses across the four sections, the previous trees, each denoted by a different hue, appear on each subsequent segment, resulting in a prismatic kaleidoscope of layered colors. The cumulative effect of Gaines’s conceptual procedure is a work of the expressive sublime.

Naima J. Keith

Keywords
Click a term to view the records with the same keyword
This object has the following keywords:
aquamarine, blue, branch, diptych, lavender, leaf, oil paint, squares, tree

Exhibition List
This object was included in the following exhibitions:

Also found in
Click a portfolio name to view all the objects in that portfolio
This object is a member of the following portfolios:
Thumbnail image of Collecting on the Edge
Collecting on the Edge
Thumbnail image of Paintings
Paintings

Your current search criteria is: Portfolio is "Paintings".





This site facilitates access to the art and artifact collections by providing digitally searchable records for thousands objects. The information on these pages is not definitive or comprehensive. We are regularly adding artworks and updating research online. We welcome your comments.