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American,
b. 1948
Market
1982
Earthenware, paint, wood
33.5 x 34.5 x 3 in.
Gift of Joe Austin
2005.99
In Market, Mel Rubin renders the raw and rundown side of 1980s Los Angeles. As former L. A. Times critic Colin Gardner put it, “The results are very much like a sun-bleached Edward Hopper scenario, where unpopulated icons of L.A.’s past and present are isolated into benign miniatures.” Typically, as in Market, Rubin would cut out wood shapes, coat them with earthenware, and then paint them. His work at the time represented the flip side of the aesthetic of Southern California artist Gifford Myers, who was also commenting on representations of real estate by depicting idyllic Spanish-style homes with palm trees in ceramic.
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