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American
(1927–2019)
Sorcerer
1965
Brass and wood
54 x 54 x 8 in. (137.16 x 137.16 x 20.32 cm)
Gift of the Marie Eccles Caine Foundation
2002.1
Historians often include Tony DeLap in discussions about minimalism, op art, geometric abstraction, and the California light and space movement. Like many of the artists of his generation affiliated with these styles, DeLap has always been keenly aware of early twentieth-century abstract pioneers, most conspicuously in his case the constructivists and suprematists. But he has never neatly t into any of these categories. Unlike many of his contemporaries, he was not intent on creating pure objects, but has continually scanned culture looking for phenomena that piqued his interest and incorporated these references into his work.
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