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American,
b. 1954
Electric Blue and Green Vibrations
1986
Stoneware and plywood
22 x 24 x 24 in.
Museum Purchase with the Charter Member Endowment Fund
1987.15
The roots of Nicholas Bonner’s Electric Blue and Green Vibrations date to about ten years before its conception, during his BFA work at Alfred University in New York. Bonner’s teacher, Wayne Higby (see Untitled Bowl, 1973–74), returned from a sabbatical with images of architecture and tile from Middle East ruins. These images prompted him to investigate organic and geometric forms more closely, and while working at Utah State University he found himself randomly slicing organic clay forms and making geometric shapes, which to his surprise, reminded him of Utah mountains and buildings. Bonner had worked with toxic glazes, raku, and terra sigillata prior to his move to Logan, but for eighteen months he sprayed acrylic paint on this sculpture series. Bonner calls this “room temperature” glaze, because it does not have to be fired.
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