Roger Brown

American
(1941–1997)

Chain Reaction: when you hear this sound you will be dead
1978

Oil on canvas
72.25 x 96 x 1.625 in.
Gift of the Kathryn C. Wanlass Foundation
2011.64

Throughout his career Roger Brown addressed all manner of adversities in late-twentieth-century life, from the exploding buildings of his Disasters series of 1972 to the horrors of HIV/AIDS—which took his life—and a wide range of other issues. The concerns he expressed in the twenty-nine paintings he made in 1978 included weather events both bene cent and dire, vertiginous skyscrapers, sex in the city, calamities (from a car crash to an assassination), and a commanding, bird’s-eye view of Washington, DC. Political, social, and current events were never far from his thoughts.

Chain Reaction reflects the general sense of angst that permeates much of Brown’s work. A stylized nuclear blast dominates an undulating landscape, with the infrastructure of life arrayed around it: a small city at the epicenter, and houses, barns, trucks, and buses further afield. A haze, presumably radiation, rains down on the landscape behind the blast and drifts into menacing red clouds in the distance. Tiny figures flee, but the enormity of the mushroom cloud signals little chance for their survival.

Brown teases the viewer, however, wrapping the details of the nuclear explosion in a quiltlike composition, with its associations of comfort and warmth. Through its satirical title the painting contains a Strangelovian strain of irony, underscored by the chilling beauty (when viewed from the safe distance of a painting, photograph, or film) of a nuclear explosion. There’s also a suggestion of the phallic/ejaculatory motif that Brown often inserted into his compositions. It’s hard to say whether Chain Reaction is one of Brown’s many prescient intuitions (the Three Mile Island nuclear accident occurred the following year) or a deadpan reflection on the hard fact of Cold War–era thermonuclear anxiety.

Lisa Stone

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This object has the following keywords:

• abstract - Genre of visual arts in which figurative subjects or other forms are simplified or changed in their representation so that they do not portray a recognizable person, object, thing, etc.; may reference an idea, quality, or state rather than a concrete object. For the process of formulating general concepts by abstracting common properties of instances, prefer "abstraction." For 20th-century art styles that were a reaction against the traditional European conception of art as the imitation of nature, use "Abstract (fine arts style)."
• barns - Agricultural buildings with large, usually sliding doors, prominent roofs, and predominantly open spaces on the interior, primarily used as storage buildings for hay, grains, and farm equipment and shelters for livestock; does not include those structures, often termed barns, used for the processing of food and other agricultural produce, such as hop barns and tobacco barns.
• bus
• hill
• house
• Nuclear explosions
• people
• running
• shadow
• truck

This object was included in the following exhibitions:

• Bang! Thwack! Plop! Comics: An Influence on Contemporary Art , 6/14/2011 - 7/26/2012
• Growing West: Exploring Art in Agriculture , 3/15/2016 - 5/7/2016
• Collecting on the Edge , 9/15/2018 - 5/4/2019
• Collecting on the Edge Part II Nora Eccles Harrison Museum of Art , 1/17/2019 - 5/4/2019
• The Day After Tomorrow; Art in Response to Turmoil and Hope Nora Eccles Harrison Museum of Art , 7/1/2020 - 12/19/2020

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