FILTER RESULTS × Close
Skip to Content
Showing 1 of 1


Otto Natzler

American/Austrian
(1908–2007)

Gertrud Natzler

Austrian/American
(1908–1971)

Bowl
circa 1960

Earthenware
3.25 x 10.75 x 10.75 in.
Gift of the Nora Eccles Treadwell Foundation
2002.54

Gertrud Natzler’s Bowl exhibits the elegant, thin-walled form that has been the envy of many potters. She worked in collaboration with her husband Otto, an engineer with a chemistry background, whom she met in Vienna, Austria. The rise of fascism in 1930s Europe led to the couple’s emigration to Los Angeles in 1938. Gertrud’s ability to throw pots with the delicate walls of Bowl led to a radical intervention in the world of Southern California ceramics. Her training on the potter’s wheel was a rare skill in the American West in the 1930s, and her proficiency garnered the interest of many prominent California potters, who learned her technique, which was widely disseminated through California’s academic ceramic programs.

The Natzlers produced some of the finest examples of California studio ceramics. In their collaboration, Gertrud threw the forms, and Otto’s background in chemistry proved invaluable for the development of glazes. They were central figures in elevating modernist ceramics to the status of fine art. Their partnership lasted three decades, until Gertrud’s untimely death in 1971. In his grief, Otto was unable to finish the pots Gertrud had left behind for many years, but in the following decades, he began a career as a modernist sculptor, working well into his nineties.

Matthew Limb


Exhibition List
This object was included in the following exhibitions:

Also found in
Click a portfolio name to view all the objects in that portfolio
This object is a member of the following portfolios:


Your current search criteria is: Portfolio is "Ceramics" and [Objects]Artist is "Gertrud Natzler".





This site facilitates access to the art and artifact collections by providing digitally searchable records for thousands objects. The information on these pages is not definitive or comprehensive. We are regularly adding artworks and updating research online. We welcome your comments.