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Lynda Benglis

American, b. 1941

Untitled
1992-1993

Ceramic
10 x 12 x 7 in. (25.4 x 30.48 x 17.78 cm)
Gift of the Kathryn C. Wanlass Foundation
2016.73

Throughout her career, Benglis continued as a sculptor, but began incorporating other media, such as photos and videos. Benglis often manipulated her video recordings, destroying the “inherent qualities” of videos, such as time, perspective, and space, and always tried to have viewers question what they were seeing. From the beginning of her art career, Benglis confronted issues of gender, identity, and sexuality through her art, with some of her more controversial works revisioning the art historical tradition of the female nude.

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