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Derived from the principles of Purism, Paul Bonifas’ Tureen embodies his unique approach to functional ceramics. Purism was embraced in early 20th century modernism to emphasize the purity of geometric forms in art and it was a rejected of cubism. The structured walls, which swell gracefully outwards and abruptly curve back inwards at the rim, is a robust form that exudes strength and simplicity. The handles, located on opposing sides of the belly of the form, are simple in their vertical rectangular shape with a slightly convex curve for utilitarian purposes. As a whole, Tureen bears more than a passing resemblance to classical Greek skyphos and Roman kantharos and kylix vessels, possibly owing to the fact that Bonifas had previously stated that “seven or eight perfect ceramic forms had been created many centuries before and could be called upon at will.” Made using molds, the handles lend a mechanical and architectural quality to the form which, in combination with Bonifas’ signature white crackle glaze and exposed dark clay body, possesses a timelessness that typifies his unique style of ceramic production.
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