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American
2013
In essence, Reilly’s work distills the aesthetics of historical potters, incorporating both useful “everyday” pots and those that simply enhance a space. Though attentive to the range of world ceramics, he has a particular interest in pots made in Japan and England. He soda fires without exterior applied slips or glazes and uses high-alumina clay bodies to achieve the variations of hue, sheen, and texture seen in Basket.
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