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American,
b. 1942
rEVOLUTION: Notes for the Invasion - mar mar march
1972-1973
Wood, typewriter, notebook, monitor, and video
in. (cm)
Gift of the Marie Eccles Caine Foundation
2006.18
By 1972, the counterculture of the 1960s had successfully drummed itself into everyday life. Government, the church, and other institutions had lost their inherent authority. Art audiences in particular became newly empowered as a result of theoretical developments in the study of language and signification that sought to elevate the value of viewer interpretation over the intentions of the artist.
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