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American
(1932–2013)
Eight Expanded
1980
Ink on graphed mylar
36.875 x 167.25 x 1.5 in.
Gift of the Marie Eccles Caine Foundation
2005.61
Purveyor of a rigorous but lively aesthetic, Channa Horwitz investigated the vitality of measurement—that is, the dynamics of graphing, counting, and mathematical expansion. Her works are as much notations of thought made physical as they are inscriptions of attractive design. A product of the later 1960s, Horwitz was influenced by the prevalent practices of the era, including early conceptual art, more rationalistic forms of postwar geometric art, and the grid as a structural armature. Once she began building out her own kinetic geometry, Horwitz applied various processes to it, even employing it as a notation for human movement.
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