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American
(1900–1957)
Semideity
circa 1955
Ceramic
14 x 5 x 5 in.
Gift of the Marie Eccles Caine Foundation
2001.52
The title of Adaline Kent’s gnarled treelike sculpture Semideity calls attention to the artist’s binary sources of inspiration. Shifting fluidly between terrestrial and celestial, abstraction and representation, Semideity exemplifies Kent’s fascination with the human form, California landscape, and generative processes of nature. In addition to the conventional sculptural materials of stone and bronze, Kent worked in a variety of fast-drying materials, including ceramics, cement, and plaster, to quickly achieve her signature biomorphic forms.
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