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American,
b. 1946
Before and After Frankenstein: The Woman Who Knew Too Much: The Power of Naming
1993
Acrylic on canvas
120 x 90 in. (304.8 x 228.6 cm)
Gift of the Marie Eccles Caine Foundation
2001.22
Mary Shelley’s Frankenstein epitomized the dark romanticism lurking within the Enlightenment, but it later took on a life of its own, mutating and filling subsequent artworks with all manner of psychological debris. The unwieldy title of Carole Caroompas’s gigantic 1993 painting reflects the book’s role in a series of works that occupied the artist in the early 1990s.
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