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Marilyn Levine

Canadian
(1935–2005)

SNC Zipper Cup
1991

Stoneware
5.75 x 3.5 x 5.875 in.
Gift of the Nora Eccles Treadwell Foundation
1992.45

SNC Zipper Cup is part of Marilyn Levine’s career-long investigation of old leather objects—luggage, jackets, gloves, hats, and boots—through a mimetic approach to ceramic sculpture. Levine painstakingly reproduces scratches, stains, stitches, handles, and zippers in stoneware to create hyperrealistic sculptures of everyday objects. The leathery skin of this handbuilt cup manifests an unfeigned humility in its visualization of time, which includes the lifespan of the materials she uses and references, as well as the artist’s time-consuming and laborious skill-based practice.

Levine was born in Alberta, Canada, in 1935. Her almost forensic interest in materials stems from her early studies in chemistry at the University of Alberta, where she earned BS and MS degrees in the late 1950s. She studied ceramics at the University of Regina before entering graduate school at the University of California, Berkeley, in 1969. Though Levine was rejected the first time she applied, she was eventually accepted on the recommendation of Jim Melchert. After graduating with an MFA in sculpture in 1971, she taught art at the University of Regina in Saskatchewan, the University of Utah in Salt Lake City, and UC Berkeley. For most of her career, however, Levine worked primarily as a full-time artist based in Oakland, California.

Sara Morris


Keywords
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This object has the following keywords:
  • cups
  • Hyperrealist - Refers to the movement or style evolving from Photorealism in the United States and Europe. Historically the term has often been used interchangeably with Photorealism. Hyperrealism may now be considered a separate idiom, particularly since the early 2000s. Hyperrealist works use photographic images as sources to make even more exacting renderings of subject matter. Hyperrealist painting and sculpture often incorporates narrative, emotive, or political content, unlike Photorealist works, which attempted to eschew subjectivity through precise rendering of the photographs themselves.
  • leather - The skin or hide of an animal that has been tanned to render it resistant to putrefication and relatively soft and flexible when dry. For composite material made from scrap leather pieces, use "maril."
  • Zippers

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