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Marie Chino’s Jar is steeped in Native American ceramic history. Drawing upon traditional Anasazi, Mimbres, and Tularosa ceramic traditions and design motifs, Chino relied upon historic pottery shards as points of reference and inspiration in the development of her technique. Chino became aware of these historical designs by gathering broken shards to make temper—a material made from ground up shards, shell pieces, and fragments of granite that are added to clay early in production to aid the drying process. Jar exhibits the qualities her work was best known for: delicate, fine-line black-on-white pottery that used abstracted geometric forms and symbols.
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