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In the postwar period, studio pottery represented a well-made and local alternative to mass-produced wares. Handmade vessels, such as Bowl, were largely valued for the pleasure derived from using them. With the publication of Bernard Leach’s, A Potter’s Book in 1940, the English potter inspired a new generation of high-fire studio potters in the United States. Bowl is an early work by Viola Frey that exemplifies Leach’s combination of English and Japanese sensibilities through its elegant shape and asymmetrical surface design. Decorating the inside of the vessel are two red apples and a celadon pear that represent the humble fare and modest comforts of daily life.
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